on John Milton

London, 1802

Milton! thou should'st be living at this hour:
England hath need of thee: she is a fen
Of stagnant waters: altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,
Have forfeited their ancient English dower
Of inward happiness. We are selfish men;
Oh! raise us up, return to us again;
And give us manners, virtue, freedom, power.
Thy soul was like a Star, and dwelt apart:
Thou hadst a voice whose sound was like the sea;
Pure as the naked heavens, majestic, free,
So didst thou travel on life's common way,
In cheerful godliness; and yet thy heart
The lowliest duties on herself did lay.

-William Wordsworth


--


In his Paradise Lost--indeed in every one of his poems--it is Milton himself whom you see; his Satan, his Adam, his Raphael, almost his Eve--are all John Milton.

-Samuel Taylor Coleridge


--

MILTON, speaking to himself.
The future is my judge and will understand my Eve, falling, as in a sweet dream, into the night of Hell. The future will understand my Adam, who is guilty, yet good. And the future will understand my indomitable archangel, who is proud of reigning over his own eternity: magnificent in his despair and in his very madness profound. See! He rises from the lake of fire and with his immense wings beats down the waves! Milton shall live in his own thoughts and console himself there. As I silently brood over my audacious, unheard-of design, an ardent genius flames in my breast. Yes! I dare to emulate the Creator Supreme. Through the power of my own words I shall create a whole world: my own Heaven, my own Hell, my own Earth.

-Victor Hugo


--


O many a peer of England brews
Livelier liquor than the Muse,
And malt does more than Milton can
To justify God's ways to man.

-A.E. Housman

we sit and talk
I wish to be with you abed, we two
as if the bed were the bed of a stream
--I have much to say to you

We sit and talk
quietly, with long lapses of silence
and I am aware of the stream
that has no language, coursing
beneath the quiet heaven of
your eyes

which has no speech; to
go to bed with you, to pass beyond
the moment of meeting, while the
currents float still in mid-air, to
fall--
with you from the brink, before
the crash--



-William Carlos Williams, Paterson

Death in Venice

The observations and encounters of a loner who seldom speaks are both more nebulous and more penetrating than those of a gregarious man; his thoughts are more intense, more peculiar, and never without a touch of sadness. Images and perceptions, which might easily be brushed aside with a glance, a laugh, an exchange of opinions, occupy his mind unduly; they are deeper in silence, take on significance, become experience, adventure, emotion. Solitude ripens originality in us, bold and disconcerting beauty, poetry. But solitude also ripens the perverse, the asymmetrical, the absurd, the forbidden.

--

Nothing is more bizarre, more ticklish, than a relationship between two people who know each other only with their eyes--who encounter, observe each other daily, even hourly, never greeting, never speaking, constrained by convention or by caprice to keep acting the indifferent strangers. They experience discomfort and overwrought curiosity, the hysteria of an unsatisfied, unnaturally stifled need to recognize and to exchange, and they especially feel something like a tense mutual esteem. For people love and honor someone so long as they cannot judge him, and yearning is a product of defective knowledge.

--

"For how can a man be a fit educator if he has an inborn, natural, and incorrigible preference for the abyss? We can certainly shun it and gain our status, but no matter where we turn, we are still drawn to the abyss. And so we renounce knowledge, which disintegrates things, for knowledge, Phaidros, has no dignity or severity; knowledge is all-knowing, understanding, forgiving, devoid of composure, of form; it sympathizes with the abyss, it is the abyss. And so we firmly reject knowledge, and henceforth our sole concern is Beauty--that is, simplicity, grandeur, and new severity, a new innocence and form. But form and innocence, Phaidros, lead to euphoria and desire, may lead the noble person to a horrid emotional blasphemy, which his own beautiful severity will reject as disgraceful--and they lead to the abyss, they, too, lead to the abyss. They lead us poets there, I tell you, for we cannot soar, we can only be wanton. And now I shall leave, Phaidros, and you shall remain, and do not leave until you can no longer see me."




-Thomas Mann, Death in Venice

For books are not absolutely dead things, but do contain a potency of life in them to be as active as that soul was whose progeny they are; nay, they do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them. I know they are as lively, and as vigorously productive, as those fabulous dragon's teeth; and being sown up and down, may chance to spring up armed men. And yet, on the other hand, unless wariness be used, as good almost kill a man as kill a good book: who kills a man kills a reasonable creature, God's image; but he who destroys a book, kills reason itself, kills the image of God, as it were, in the eye. Many a man lives a burden to the earth, but a good book is the precious life-blood of a master spirit, embalmed and treasured up on purpose to a life beyond life. . . [This] homicide ends not in the slaying of an elemental life, but strikes at that ethereal and fifth essence, the breath of reason itself--slays an immortality rather than a life.

-John Milton, Areopagitica

I cannot live with you,
It would be life,
And life is over there
Behind the shelf

The sexton keeps the key to,
Putting up
Our life, his porcelain,
Like a cup

Discarded of the housewife,
Quaint or broken;
A newer Sevres pleases,
Old ones crack.

I could not die with you,
For one must wait
To shut the other's gaze down,
You could not.

And I, could I stand by
And see you freeze,
Without my right of frost,
Death's privilege?

Nor could I rise with you,
Because your face
Would put out Jesus'.
That new grace

Glow plain and foreign
On my homesick eye,
Except that you, than he
Shone closer by.

They'd judge us - how?
For you served Heaven, you know
Or sought to;
I could not,

Because you saturated sight,
And I had no more eyes
For sordid excellence
As Paradise.

And were you lost, I would be,
Though my name
Rang loudest
On the heavenly fame.

And were you saved,
And I condemned to be
Where you were not,
That self were hell to me.

So we must keep apart,
You there, I here,
With just the door ajar
That oceans are,
And prayer,
And that pale sustenance,
Despair!

-Emily Dickinson

A few from Milton. I'm eventually going to go through and mark down all the sections I loved, but for now I'll only do a little (since I'm procrastinating a paper on this book as it is):

. . . From morn
To noon he fell, from noon to dewy eve,
A summer's day, and with the setting sun
Dropped on the zenith like a falling star
On Lemnos th'Aegean isle. Thus they relate,
Erring. (1.743-7)

. . . For who would lose,
Though full of pain, this intellectual being,
Those thoughts that wander through eternity,
To perish rather, swallowed up and lost
In the wide womb of uncreated night
Devoid of sense and motion? (2.146-51)

. . . Yet not the more
Cease I to wander where the muses haunt
Clear spring or shady grove or sunny hill,
Smit with the love of sacred song. But chief
Thee, Sion, and the flow'ry brooks beneath
That wash thy hallowed feet and warbling flow,
Nightly I visit nor sometimes forget
Those other two equaled with me in fate
(So were I equaled with them in renown)
Blind Thamyris and blind Maeonides,
And Tiresias and Phineus, prophets old.
Then feed on thoughts that voluntary move
Harmonious numbers as the wakeful bird
Sings darkling and in shadiest covert hid
Tunes her nocturnal note. Thus with the year
Seasons return but not to me returns
Say or the sweet approach of ev'n or morn
Or sight of vernal bloom or summer's rose
Or flocks or herds or human face divine
But cloud instead and ever-during dark
Surrounds me, from the cheerful ways of men
Cut off and, for the book of knowledge fair,
Presented with a universal blank. (3.26-48)

These then though unbeheld in deep of night
Shine not in vain. Nor think, though men were none,
That Heav'n would want spectators, God want praise!
Millions of spiritual creatures walk the earth
Unseen both when we wake and when we sleep.
All these with ceaseless praise His works behold
Both day and night. How often from the steep
Of echoing hill or thicket have we heard
Celestial voices to the midnight air,
Sole or responsive each to other's note,
Singing . . . (4.674-83)

Dismounted on th'Aleian field I fall
Erroneous there to wander and forlorn. (7.19-20)

They viewed the vast immeasurable abyss
Outrageous as a sea, dark, wasteful, wild,
Up from the bottom turned by furious winds
And surging waves as mountains to assault
Heav'n's heighth and with the center mix the pole. (7.211-5)

Just this:

Thou seyst, men may nat kepe a castel-wal;
It may so longe assailled been over-al.

-Chaucer

Oh wife of Bath, you are a silly and terrible lady.



We wommen han, if that I shal nat lye,
In this matere a quentye fantasye;
Wayte what thing we may nat lightly have,
Ther-after wol we crye al-day and crave.
Forbede us thing, and that desyren we;
Prees on us faste, and thanne wol we flee.


--


Allas! allas! that ever love was sinne!
I folwed ay myn inclinacioun
By vertu of my constellacioun;
That made me I coude nought withdrawe
My chambre of Venus from a good felawe.
Yet have I Martes mark up-on my face,
And also in another privee place.
For, god so wis be my savacioun,
I ne loved never by no discrecioun,
But ever folwede myn appetyt,
Al were he short or long, or black or whyt:
I took no kepe, so that he lkyed me,
How pore he was, ne eek of what degree.



-Chaucer

two favorites

Love Is Not All: It Is Not Meat Nor Drink
by Edna St. Vincent Millay


Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love cannot fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It well may be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution's power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It well may be. I do not think I would.


--


The Equilibrists
by John Crowe Ransom


Full of her long white arms and milky skin
He had a thousand times remembered sin.
Alone in the press of people traveled he,
Minding her jacinth, and myrrh, and ivory.

Mouth he remembered: the quaint orifice
From which came heat that flamed upon the kiss,
Till cold words came down spiral from the head.
Gray doves from the officious tower ill sped.

Body: it was a white field ready for love.
On her body's field, with the gaunt tower above,
The lilies grew, beseeching him to take,
If he would pluck and wear them, bruise and break.

Eyes talking: Never mind the cruel words,
Embrace my flowers, but not embrace the swords.
But what they said, the doves came straightway flying
And unsaid: Honor, Honor, they came crying.

Importunate her doves. Too pure, too wise,
Clambering on his shoulder, saying, Arise,
Leave me now, and never let us meet,
Eternal distance now command thy feet.

Predicament indeed, which thus discovers
Honor among thieves, Honor between lovers.
O such a little word is Honor, they feel!
But the gray word is between them cold as steel.

At length I saw these lovers fully were come
Into their torture of equilibrium;
Dreadfully had forsworn each other, and yet
They were bound each to each, and they did not forget.

And rigid as two painful stars, and twirled
About the clustered night their prison world,
They burned with fierce love always to come near,
But honor beat them back and kept them clear.

Ah, the strict lovers, they are ruined now!
I cried in anger. But with puddled brow
Devising for those gibbeted and brave
Came I descanting: Man, what would you have?

For spin your period out, and draw your breath,
A kinder saeculum begins with Death.
Would you ascend to Heaven and bodiless dwell?
Or take your bodies honorless to Hell?

In Heaven you have heard no marriage is,
No white flesh tinder to your lecheries,
Your male and female tissue sweetly shaped
Sublimed away, and furious blood escaped.

Great lovers lie in Hell, the stubborn ones
Infatuate of the flesh upon the bones;
Stuprate, they rend each other when they kiss,
The pieces kiss again, no end to this.

But still I watched them spinning, orbited nice.
Their flames were not more radiant than their ice.
I dug in the quiet earth and wrought their tomb
And made these lines to memorize their doom:—

Epitaph
Equilibrists lie here; stranger, tread light;
Close, but untouching in each other's sight;
Moldered the lips and ashy the tall skull.
Let them lie perilous and beautiful.

"Because love is not born and does not grow and reach perfection in a moment, but requires time and nourishment of thought, especially where there are opposing thoughts that impede it, it was necessary before this new love could become perfect that there be much strife between the thought that nourished it and the one that opposed it, which still held the citadel of my mind on behalf of that glorious Beatrice."
-Dante's Convivio: an interesting read, but kind of infuriating!

"The man who writes a good love sonnet needs not only to be enamored of a woman but also to be enamored of the sonnet."
-C. S. Lewis, A Preface to Paradise Lost

"Either he was incredibly religious or completely crazy; the distinction is mostly academic."
-Michael Pettinger

"You know me; I'm just like you. It's two in the morning and we don't know nobody."
-The Sting



Also, the other day I picked up the Complete Poems of Catullus translated by Ryan Gallagher.